Most people think they need to head to Iceland or Norway to see the Northern Lights. Truth is, the southern hemisphere has its own version — the Aurora Australis — and it’s every bit as incredible. Here in South Australia, it’s possible to see and photograph it without leaving the state. With the solar cycle peaking through 2025 and 2026, now’s the time to plan. And while aurora chasing is very different from a headshot session in Adelaide, or even shooting real estate photos, the same principles apply: preparation, patience, and an eye for light.
(Updated October 2025)
The Aurora Australis happens when solar storms send charged particles slamming into Earth’s atmosphere, creating those eerie green, pink, and purple curtains of light across the horizon.
If you’ve ever worked through a corporate event in Adelaide or been asked to shoot a last-minute graduation at Uni of Adelaide, you’ll know the feeling: you prep for hours, sometimes nothing happens, but when it does, you need to be ready to nail it instantly.
Season: Winter is best. Long nights and cold, crisp skies.
Time: Midnight to 2 AM is prime, but I’ve had luck as early as 9:30 PM.
Solar Activity: Right now, the sun is chucking tantrums left and right — that’s great news for aurora hunters.
Moon Phase: Dark nights are best, but sometimes a bit of moonlight can add atmosphere.
Chasing auroras feels a lot like lining up a wedding shoot in the Adelaide Hills. You can plan everything down to the last detail, but Mother Nature still has the final say.
This guide is your cheat sheet for planning an aurora chase. It’s based on solar activity forecasts, moon phases, and a little educated guesswork.
📌 Tip: Aim to head out 1–2 nights either side of the forecast peak dates, just in case the storm arrives early or late.
| Date Range | Peak Date | Likelihood | Kp Prediction | Moon Phase | Best Viewing Locations | Moon Visibility Impact |
|---|---|---|---|---|---|---|
| 🔥 September 20–25, 2025 | September 22 | Perfect Timing 🔥 | Kp 7–8+ | 🌑 New Moon | Tasmania, Victoria, SA, WA, NSW (far south) | No moonlight at peak, perfect dark skies for all. Faint auroras visible even in SA and far-south NSW. |
| ✨ October 19–23, 2025 | October 21 | Moderate | Kp 6–7 | 🌑 New Moon | Tasmania, Victoria, SA, WA | Moonless nights, maximum darkness. Any activity during this window is easily observable. |
| ✨ November 18–22, 2025 | November 20 | Moderate | Kp 5–6 | 🌑 New Moon | Tasmania, Victoria | New moon gives fully dark skies. Faint horizon glow detectable from dark sites. |
| 🎉 December 18–22, 2025 | December 20 | Low–Moderate | Kp 5–6 | 🌑 New Moon | Tasmania, SA, WA | New moon but short summer nights in TAS/VIC. SA and WA have slightly longer darkness. |
| ✨ January 16–20, 2026 | January 18 | Moderate | Kp 6 | 🌑 New Moon | Tasmania, Victoria, SA | Fully dark nights. No lunar glare so subtle glows stand out. |
| ✨ February 15–19, 2026 | February 17 | Moderate | Kp 6 | 🌑 New Moon | Tasmania, Victoria, SA | Moonless darkness all night. Good for low-on-horizon captures in SA/VIC. |
| 🔥 March 16–20, 2026 | March 18 | Extremely High 🔥 | Kp 7–8+ | 🌑 New Moon | Tasmania, Victoria, SA, WA, NSW (far south) | Pitch-black skies near equinox. Strong displays could reach mainland states easily. |
| ✨ April 15–19, 2026 | April 17 | Moderate | Kp 6–7 | 🌑 New Moon | Tasmania, Victoria, SA, WA | Fully dark, no lunar interference. Faint beams photographable across regions. |
| 🔥 May 14–18, 2026 | May 16 | Strong Chance 🔥 | Kp 7–8 | 🌑 New Moon | Tasmania, Victoria, SA, WA | New moon maximises visibility. Strong storms will be obvious across multiple states. |
| ✨ June 12–16, 2026 | June 14 | Moderate | Kp 6 | 🌑 New Moon | Tasmania, Victoria, SA, WA | Long winter nights, zero moonlight. Excellent conditions for all regions. |
| ✨ July 12–16, 2026 | July 14 | Moderate | Kp 6 | 🌑 New Moon | Tasmania, Victoria, SA, WA | Completely moon-free nights. Good chance to catch subtle bands, esp. coastal south. |
| ✨ August 10–14, 2026 | August 12 | Moderate | Kp 6 | 🌑 New Moon | Tasmania, Victoria, SA, WA | No moonlight. Late-winter dark evenings aid visibility and long exposures. |
| ✨ September 8–12, 2026 | September 10 | Moderate | Kp 6–7 | 🌑 New Moon | Tasmania, Victoria, SA, WA | Dark skies at new moon. Note: the equinox later in Sept aligns with a full moon, which will hurt visibility then. |
Wide skies, ocean reflections, and not much light pollution. My personal favourite.
Close to Adelaide, with beaches that give you wide horizons. Perfect if you want to combine aurora chasing with a short getaway.
Remote, rugged, and usually dark enough for perfect skies. Same place I’ve seen incredible spots for boudoir photography in boutique hotels.
Rare but possible — especially during strong solar storms. Even if the aurora doesn’t show, the Milky Way out here is worth the trip. It’s the same appeal as shooting destination events like Wilpena Pound corporate retreats.
Space Weather Live – quick KP index updates.
Aurora Australis Alert SA (Facebook group) – live reports from other chasers.
My Aurora Forecast app – push notifications straight to your phone.
Planning for an aurora is like prepping for a commercial shoot in Adelaide. You don’t just turn up blind; you know what’s coming.
Planning a run tonight? Check the live Southern Hemisphere aurora forecast and current Kp readings below. Higher Kp (5+) usually means a chance of visibility across parts of Australia — aim for dark skies and a clear southern horizon. If you need a game plan, skim the location tips in this guide, then jump down here when conditions spike.
This is NOAA’s polar projection — Antarctica sits in the middle and Australia wraps around the edge. It’s the most reliable quick-look map for Southern Lights activity. The image below auto-refreshes every 5 minutes.
Kp is the quick indicator of storm strength. Kp 5–6 can bring a faint southern glow; Kp 7+ is where South Australia starts getting real chances from dark sites. The chart below auto-refreshes every 3 minutes.
Faster solar wind (>500 km/s) and southward Bz (negative values) both boost aurora chances. These long-running NOAA plots update frequently and are a solid “should I head out?” check. Images auto-refresh every 5 minutes.
I run small, hands-on aurora workshops when forecasts line up with new moons. Whether you’re a beginner or have a bit of night photography under your belt, we cover everything from reading space weather alerts to nailing your camera settings.
If you’ve enjoyed my guides on headshot photography or creative portrait work, you’ll love these sessions — they’re practical, fun, and you leave with images you’ll actually want to show off.
The most reliable spot is Tasmania, but during strong solar storms (Kp 7+), the lights can reach as far north as Victoria and South Australia. Coastal locations with a clear southern horizon, like Yorke Peninsula, Kangaroo Island, or the Fleurieu, give the best chance. Avoid city lights at all costs.
Peak chances are during winter (May–August), especially around new moons. Equinox months — March and September — also tend to fire up. If you’re heading north, combine it with a trip to the Barossa or the Flinders Ranges for a full outback night-sky adventure.
Yes, but it depends on how strong the storm is. At Kp 5–6 you’ll see faint glows on the horizon. Kp 7+ events can light up the whole sky in greens and purples without needing a camera. It’s similar to how controlled lighting transforms night event photography — intensity makes all the difference.
A DSLR or mirrorless with manual settings, a wide fast lens (f/2.8 or faster), a sturdy tripod, remote shutter, and spare batteries. The kit isn’t too different from what I use for twilight property photography — stability and control over exposure are everything.
Try ISO 1600–3200, f/2.8, and a 10–20 second exposure. If the aurora is moving quickly, shorten the shutter speed to keep it crisp. It’s a similar trial-and-error approach to industrial shoots in tricky lighting — you adjust until the scene feels right.
Check the Kp index (5+ means chances are good), look at magnetometer data, and follow aurora apps or alert groups. I also post updates on @whyphotographytho when conditions look promising for South Australia.
Only during major solar storms (Kp 7+). For the best chance, head just outside the city — Adelaide Hills, Riverland, or Yorke Peninsula. Think of it like scouting a drone photography location — the darker and wider the horizon, the better.
Forecasts more than a week out aren’t reliable, but short-term predictions (24–72 hours) are usually spot on. Just like preparing for trade shows or expos, the closer you get to the date, the clearer the picture becomes.
To your eyes, faint auroras look like greyish or green glows. Cameras, with long exposure, bring out the full colour and detail. That’s why my shots look bolder than what you might see live — similar to how professional lighting changes the results in a boudoir shoot.
No — Tasmania is great, but South Australia and Victoria get plenty of action during strong storms. Plus, spots like Kangaroo Island and the Fleurieu can double as stunning backdrops for portrait sessions or destination weddings.
Use a low-powered torch or headlamp to softly light their face, or shoot them as silhouettes. Keep exposures short to avoid blur. The balancing act is similar to lighting corporate headshots — shadow and highlight control is everything.
I cover a wide range: headshots, events, commercial projects, real estate, boudoir, and drone work. You can browse my recent projects for real examples.
Camera Body: A DSLR or mirrorless with decent high-ISO performance. If it can handle low-light receptions, it can handle an aurora.
Lens: Wide (14–24mm) and fast (f/1.4–f/2.8). Same thinking you’d apply when shooting interiors for real estate listings.
Tripod: Rock solid, no exceptions.
Other Stuff: Spare batteries, remote shutter, headlamp with red light, gloves you can still fiddle with camera settings in.
Camera Body: A DSLR or mirrorless with decent high-ISO performance. If it can handle low-light receptions, it can handle an aurora.
Lens: Wide (14–24mm) and fast (f/1.4–f/2.8). Same thinking you’d apply when shooting interiors for real estate listings.
Tripod: Rock solid, no exceptions.
Other Stuff: Spare batteries, remote shutter, headlamp with red light, gloves you can still fiddle with camera settings in.
Plain horizon shots get old fast. Build your frame with:
Foreground elements like trees, rocks, or water.
Silhouettes of people for scale.
Reflections in lakes, wet sand, or even your car bonnet.
It’s the same storytelling mindset I bring to weddings, events, or even real estate photography. Don’t just capture the “thing” — capture the story around it.
Want to up the ante? Shoot a sequence of long exposures for a time-lapse. The aurora looks unreal when played back as moving ribbons across the sky.
Think of it like producing a statewide commercial video project. The idea is the same: steady, consistent frames that come together later to tell a story.
Want to be in the photo yourself?
Light your subject faintly (headlamp, phone torch bounced off something).
Use shorter exposures so they don’t blur into ghosts.
Position them as silhouettes for drama.
It’s essentially low-light headshot work with the best natural backdrop you’ll ever get.
Clouds will break your heart.
The cold makes everything harder — batteries, fingers, and focus.
You’ll probably eat half your snacks before it even gets dark.
Don’t jinx it by saying “this looks promising.” The aurora gods are listening.
It’s the same unpredictability I deal with at corporate awards nights or dance competitions. You control what you can, then just roll with whatever happens.
Because when it happens, you’ll never forget it. The first time I saw a strong aurora in SA, I froze — literally and figuratively. I was so gobsmacked I forgot to press the shutter. That moment meant more than the photos did.
Even if you don’t catch the aurora, you’ll come home with killer night skies, star trails, and some solid practice at shooting outside your comfort zone. Those same skills carry over to everything from weddings to real estate jobs.
Whether you’re chasing the lights, planning a shoot in Adelaide, or just want to talk through options, it all comes down to knowing your gear and showing up prepared.
👉 Contact Shameless Visuals to lock in your next session.
This article was written by Corey M — the bloke behind Shameless Visuals, based right here in Adelaide. Whether it’s chasing the Southern Lights through a frosty paddock or setting up lights in a boardroom, the job’s the same: find the shot that actually means something.
When Corey’s not editing until his eyeballs hurt, he’s out shooting everything from commercial campaigns to birthday chaos to full-scale conference coverage. No fluff, no gimmicks — just real work that makes people take notice.
If you’re here reading this, chances are you’re after more than just a pretty picture. Here’s what Shameless Visuals actually does:
Professional headshot photography for teams, creatives, and anyone who’s sick of cropping themselves out of group shots.
Commercial photography in Adelaide that shows products and brands at their best — not in some soulless stock style.
Real estate and drone photography that makes listings stand out, even in a flooded market.
Event and corporate photography that captures energy, moments, and actual people (not just blurry backs of heads).
Portrait photography that brings out character without making it awkward.
Boudoir photography that’s more about confidence than clichés — completely private, entirely on your terms.
Explore the full range at the Shameless Visuals homepage or get in touch here to book something real.
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